theatre magazine (lt. teatro žurnalas) is the only printed publication dedicated to deliberate and critical reflection of performing arts in Lithuania. Each edition explores a different topic, covering a variety of disciplines and genres. Bonus publications (mostly writen plays) are published along with each issue
Initial design (in 2015) was inspired by the previously published magazine Lithuanian scene (lt. Lietuvos scena), designed by Agnė Dautartaitė-Krutulė. Significant layout changes, new typefaces, and updated logo were implemented back in 2019. The latest typeface and layout refresh took place in 2024
| No. | TOPIC | PUBLISHED |
| 1 | War
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November, 2015 |
| 2 | Media
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March, 2016 |
| 3 | Women
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August, 2016 |
| 4 | Traveling
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November, 2016 |
| 5-6 | Teachers
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March, 2017 |
| 7 | Youth
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July, 2017 |
| 8 | Verbatim
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October, 2017 |
| 9-10 | Festivals
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April, 2018 |
| 11 | Dramaturgy
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July, 2018 |
| 12-13 | Inspiration
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January, 2019 |
| 14 | Politics
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April, 2019 |
| 15 | Audience
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July, 2019 |
| 16 | Critique
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October, 2019 |
| 17-18 | Directing
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April, 2020 |
| 19 | Identity
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July, 2020 |
| 20 | Quarantine
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December, 2020 |
| 21 | Laboratories
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April, 2021 |
| 22 | Antropocene
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August, 2021 |
| 23 | Regions
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January, 2022 |
| 24 | Dramaturgy
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August, 2022 |
| 25 | War
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October, 2022 |
| 26 | Generations
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December, 2022 |
| 27 | Body
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April, 2023 |
| 28 | Limits
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July, 2023 |
| 29 | City
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November, 2023 |
| 30 | Word
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February, 2024 |
| 31 | Intimacy
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May, 2024 |
| 32 | Memory
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August, 2024 |
| 33 | Space
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January, 2025 |
| 34 | Game
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April, 2025 |
| 35 | Significance
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July, 2025 |
| AUTHOR | TITLE | PUBLISHED |
| Krzysztof Warlikowski | (A)pollonia
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November, 2015 |
| Viliam Klimáček | Chekhov – Boxer
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March, 2016 |
| Marguerite Duras | The Square
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August, 2016 |
| Matéi Visniec | Migraaaaants! There's Too Many People on This Damn Boat
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November, 2016 |
| Indrė Bručkutė | Anonymous Country
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July, 2017 |
| Olga Lapina | About Fears (Rehearsal Diary)
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October, 2017 |
| Monika Kutkaitytė | Eat The Cake
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April, 2018 |
| Birutė Kapustinskaitė | Therapies
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July, 2018 |
| Dovilė Zavedskaitė-Statkevičienė | Elephant
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April, 2019 |
| Conor McPherson | St Nicholas
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October, 2019 |
| Sigitas Parulskis | Julia
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July, 2020 |
| Matas Vildžius | Sapiens
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December, 2020 |
| Slavoj Žižek | Antigone
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April, 2021 |
| Manuela Infante | Vegetative State
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August, 2021 |
| Monika Baranauskaitė | Events in an Organic Farm
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January, 2022 |
| Gabrielė Labanauskaitė | Real Estate Drama
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August, 2022 |
| Lena Laguszonkowa | Gorky's Mother
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August, 2022 |
| Mindaugas Nastaravičius | Grove
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October, 2022 |
| Gabrielė Labanauskaitė | Sugar Dust
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October, 2022 |
| Birutė Kapustinskaitė | Detoxification
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December, 2022 |
| Simona Semenič | 1981 Part I
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April, 2023 |
| Simona Semenič | 1981 Part II
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July, 2023 |
| Sara Stridsberg | American Hotel
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November, 2023 |
| Ewe Benbenek | Tragedy Bastard
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February, 2024 |
| Ben Eastham | What Is Criticism For?
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May, 2024 |
| Miranda Rose Hall | A Play for the Living
in a Time of Extinction ![]() |
August, 2024 |
| Tanya Beyeler & Pablo Gisbert | An Image From the Inside
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Januray, 2025 |
| Tanya Beyeler & Pablo Gisbert | Ultrafiction No. 1 / Fractions of Time
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Januray, 2025 |
| Virginija Rimkaitė | Patina
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April, 2025 |
| Sonia Chiambretto | Polices!
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July, 2025 |